Wednesday, July 9, 2008

Rio, Part II: Surroundings

























Here are some more of my pictures from Rio. This is a little different from the tourist side posted previously. They were all taken with a Canon A-1 film camera on Fuji Superia film.


Here are the eye-charts we used to help find eyeglasses for locals in the favela. And here is the cow-tongue and pork lunch.




























Some Brazilian "barbed-wire".



Thanks for looking. More to follow.

Saturday, July 5, 2008

You want Independence? Get a remote!



In the spirit of July 4th we decided to experiment with shooting some fireworks... in the photo sense of course. After hunting down a moderate view away from boisterous crowds we set up our tripods and got to work. Follow the link to see more images and how to get them. Without much of a zoom on my Canon Xsi's stock 18-55 I ended up with some nice shots but a little more cropping in post-production. It did force into most frames the ever iconic AT&T tower which I decided to keep in most shots. I lacked a remote so I decided to take advantage of some longer shutter speeds keeping mostly between 0"5 and 2"5. The quicker speeds I used for faster barrages and slower speeds for larger less frequent explosions. The Nashville display is synced to the symphony so we had the benefit of musical queues for prepping speeds and the like. I kept my F-stop at F8 for most of the evening. Although towards the end I found F9-10 with quicker shutter speeds minimized shake and maximized the skyline. All in all a fair shooting but high hopes for next year having a better vantage point up wind from the smoke and remotes!













Bounced off-camera flash



Here are some pictures I took of Rachel. I used my 580 EX II on a sync cable to bounce the flash down and toward the wall in front of her.

What I like here is that the wall I bounced off of had a gold / yellow hue, which comes out in the skin tones. There is no significant ambient light, so all the light comes from bouncing off the large wall surface behind me. I got a surprisingly soft light this way, which replaced the use of a large gold reflector.